Dotzd Mexico City, Mexico
Post-(Rock/Metal) (Shoe/Black)-gaze one man band from México City
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supported by 7 fans who also own “Capicua”
Il y a un désir qui traverse toute les œuvres de Sadness (et sûrement toute l'œuvre de Damián Antón Ojeda) qui est celui de capturer l'instant ; en un sens, c'est ce qu'on retrouve dans l'E.P. holding. A moins qu'il ne s'agisse d'un parcours émotionnel qui apprend à avaler ses émotions. La première piste est une explosion de douleur au point où même la guitare a du mal à suivre ; et plus on progresse, plus les mélodies lumineuses ou les voix juvéniles prennent de l'importance. Mais derrière...
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supported by 7 fans who also own “Capicua”
possibly the most peak blackgaze instrumentals i have heard ever it really does project a visceral feeling onto you when you listen,, so goodf
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supported by 7 fans who also own “Capicua”
Wind blasted melodic black metal from the fields of Ukraine. The production is raw and gritty and the performance is aggressive. The additional acoustic guitar passage give some room to breath. Another solid release. 7/10
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Featuring members of Noothgrush, Graves at Sea, and more, the Oakland metal band juxtapose cavernous doom with spaced-out shoegaze.
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featured on Bandcamp Radio May 14, 2021
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Pain After Pain
by At the Graves
The latest from this one-man sludge metal project from Baltimore is discordant, spacious, and as heavy as a full group could ever be.
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supported by 7 fans who also own “Capicua”
Sad yet hopeful is what this album sounds like. Every sadness album sounds like that honestly. Like things might be shit right now but they can always get better if you’re willing to let them. Sadness has a way of making music that’s mega depressing but doesn’t add to your depression it seems to acknowledge it and reminds you of the things that make your life worth living. This album specifically does this perfectly and is probably my favorite sadness release. please let it get physical release
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